2/18/2023 0 Comments Makoto aida![]() His most recent exhibitions include “Wallworks,” Yerba Buena Center of Arts, San Francisco (2009) 17th Biennale of Sydney, Australia (2010) and “E-BAKA,” Mizuma Art Gallery, Tokyo (2010). Aida has participated in numerous solo and group exhibitions both in and outside of Japan. ![]() ![]() He was initially trained in painting at Tokyo University of the Arts, but has since expanded his artistic range to include photography, sculpture, performance, installation art, urban design, and comic book and novel writing. Makoto Aida was born in Nigata prefecture, Japan, in 1965. The work treads a moral tightrope by referencing the politically charged figure and at the same time becomes a poignant satire of the pacifist and insular political environment of Japan. He becomes a lazy, sake-drinking old man who, in a drunken stupor, tells the viewer that he has quit being a terrorist and to stop looking for him. In this video shot in an amateurish style, not unlike videos taken by terrorists and sent to foreign media to announce their destructive acts, the artist impersonates the world’s most wanted terrorist in a hypothetical situation-hiding in Japan. Among the recurring themes in his oeuvre is war and nationalism. Single channel video, sound, 8 minutes, 14 secondsĪsia Society, New York: Promised Gift of Harold and Ruth Newman.Ī prominent artist in contemporary Japanese art since the 1990s, Makoto Aida has dealt with subjects considered taboo for many Japanese. The controversy over each new piece he releases – for example his “Turd from a Jomon Period Monster” – draws attention no matter how it is presented, but the visceral effect it has on those who view it is either positive or negative.The Video from a Man Calling Himself Bin Laden Staying in Japan, 2005 His personal exhibit at the Mizuma Art Gallery titled Minna to Issho showcased a tribute to his life’s work to date.īecause of the mixture of themes in his work, Aida has been praised by many in the art community and viciously attacked by Japanese loyalists who feel his work his insulting and cruel more than it is artwork. His work has been shown in the 2001 Yokohama Treinnale and the Whitney Museum’s “American Effect” exhibit. Most of Aida’s themes revolve around sex, death, and politics, meshing iconic imagery into easily depicted commentaries on the world around him. ![]() From his portrait of a crazed Mickey Mouse and a violated Minnie Mouse with a challenge to Disney lawyers to come after him to his murals and portraits of contemporary Japanese imagery twisted into something disturbing, he has always straddled the line between offending and promoting his culture. His work, which often seeks to offend by combining the classical sense of Japanese culture with the current state of the world and of his particular view of popular culture.īorn in 1965, Makoto Aida has been producing art since the 1980s in a way that has always been designed to show two sides of Japan, both that which he despises and that which he fully embraces and lauds as a naturally born citizen. Makoto Aida is a Japanese contemporary artist best known for his anti-establishment, “non-art” approach to art.
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